This summer the Scottish campaign, Good Life, Good Death, Good Grief,
which works to make Scotland a place where there is more openness about
death, dying and bereavement, has partnered with the world renowened
Edinburgh Fringe Festival to launch its own programe of shows – Death on the Fringe. What better place to encourage debate on a difficult issue we all face, than the huge arts festival on our doorstep?
Edinburgh
The Edinburgh Festival Fringe is the largest arts festival in the
world. In sheer numbers alone it is impressive – over two million
tickets for nearly 50,000 performances of over 3,000 shows in 299 venues
– but in cultural impact it is perhaps even more significant.
Throughout its 67 years of existence, it has become a home to cutting
edge and thought provoking arts events, which challenge existing ideas
and tackle taboo subjects not often dealt with elsewhere.
Chris is Dead
Death on the Fringe is a hand-picked series
of Fringe shows that look at death and dying from different
perspectives – some serious, some comical – but all contributing to the
debate on death and end of life matters. Each of the performers and
groups have their own unique take on the subject, as indeed we all do.
The ambition of the project is to encourage Fringe audiences not to
steer clear of this tricky subject matter and to point them towards some
brilliant, entertaining and important events. The project has generated
media coverage as far afield as the US edition of the Huffington Post, and this helps to promote the shows and also to raise awareness of Good Life, Good Death, Good Grief and its agenda.
Launching Death on the Fringe
We launched Death on the Fringe on 1 August
with a special event in the historic anatomy lecture theatre at the
University of Edinburgh Medical School. Instead of the dissections and
medical procedures with which generations of medical students have been
‘entertained’, guests were treated to a selection of Death on the Fringe
performers giving previews of their shows. There were snippets from
Alba: The Musical, the tale of one young man’s journey to scatter his
father’s ashes, ahead of its world premiere at this year’s Fringe on 11
August. There were comic turns from Nathan Cassidy, who uses his show to
reflect on his own Date of Death and Robyn Perkins who explores the
lighter aspects of the sudden death of her partner in Over It. Guests
were also entertained with the stories of 80 year old Lynn Ruth Miller
(as seen on Britain’s Got Talent) whose stand-up show announces she’s
Not Dead Yet!
Not Dead Yet! – Lynn Ruth Miller
We are also delighted to have found a children’s show to be part of Death on the Fringe.
New Zealand’s Little Dog Barking have brought their powerful adaptation
of the German children’s novel Duck, Death and the Tulip to the Fringe.
Explaining death to younger audiences with puppetry and magic, it has
been winning plaudits from all sorts of places.
Duck, Death and the Tulip
Amongst the plays we’ve included are Chris Is Dead, the moving tale
of three flatmates dealing with the death of a fourth, which has just
finished its one week run to rave reviews. Two further plays join us
this week – The Three Peaks and Dead Fresh – a serious play and a comic
play, showing just how many ways there are of dealing with this
difficult topic.
Don’t miss out!
Death on the Fringe runs right through
until the 30 August, and we’d encourage anyone coming to Edinburgh this
month to try a show or two. At the very least you’ll be entertained, and
you may just leave a show resolved to live your life differently and to
talk to your loved ones about death before it is too late.
You can get a full list of shows on our website or keep up to date with us by following @DeathOnFringe on Twitter.
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